Given mabena biography definition
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Kwaito
Subgenre of house music from South Africa
For the fictional character, see Kingsman: The Red Diamond § Characters.
Kwaito is a music genre that emerged in Soweto, Johannesburg, South Africa, between the late 1980s and 1990s. It is a variant of house music that features the use of African sounds and samples. Kwaito songs occur at a slower tempo range than other styles of house music and often contain catchy melodic and percussive loop samples, deep bass lines and vocals. They are also very similar tempos to early 1990s NYC house tracks.
Etymology
[edit]The word kwaito originates from the South African slang "kwaai," which conveys the meaning of "cool" or "bad" in a positive context. The term "kwaai" itself is rooted in Afrikaans, where it initially signified "angry" or "fierce." However, within the framework of South African youth culture, its connotation had shifted to represent something fashionable or noteworthy.[2][3]
Kwaito led a post-Apartheid township subculture into the mainstream despite the fact that the Afrikaans language is associated with the apartheid regime and racial oppression, Afrikaans words are often drawn into the Sabela and Tsotsitaal and Camtho vocabularies, reshaped and used in a related or new context. M'du
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Business & Entrepreneurship 2018
Waiting for her mom to fetch her from school at 5pm each day opened a world of possibilities for Sibu Mabena; she followed her friends to dance class. By age 10 she had already competed in a dance competition in Germany. She later joined dance crews and choreographed shows for major events.
She now works behind the scenes on some of the biggest hip-hop concerts South Africa has ever seen. After having competed with major dance crews she started creative consulting.
“I’ve been that person that’s just like, ‘Give me a chance to work and I will show you what I can do, then we’ll take it from there’. This is how I got to work on the Fill Up series.”
Mabena has managed to build a career around her passions — dance, social media, events and talent management.
She founded Duma Collective while doing a Bachelor in Political Sciences and International Relations at the University of Pretoria. She has worked on Cassper Nyovest’s Fill Up The Dome, Fill Up Orlando Stadium and Fill Up FNB Stadium. Natasha Tshahane, Luthando Shosha, Reason, K.O., Solo & The BETR Gang, The Muffinz, Sne Mbatha and DotCom are all managed by her agency.
Mabena’s creative agency employs seven people. She says “sacrifice or compromise while being diplomatic” is how s