Zerlina hughes biography examples

  • In our latest column, Zerlina Hughes, Founder & Creative Director at Studio ZNA, delves into the fascinating world of circadian rhythms and lighting design.
  • We asked Creative Director Zerlina Hughes how paintings in the newly refurbished Room 29 have been displayed in their best light.
  • Lighting designer Zerlina Hughes, provided an extraordinary mise en scène for the works in the exhibition.
  • The Story Behind the IDA 2019 Architectural Design of the Year “ARB Residence” by DOMAEN LTD.

    Welcome to our exclusive interview featuring the architectural design of the year at the prestigious IDA 2019 Awards. Today, we have the honour of speaking with the talented minds behind the award-winning project, DOMAEN LTD., specifically their remarkable creation known as the ARB Residence. Garnering the coveted Gold prize in the Architecture category, this exceptional house has captured the attention of design enthusiasts worldwide.

    The house on the ridge of Benedict Canyon, California identifies the differential complexity of the steep hillside as its functional and formal generator. The subdued, bold mass enters a dialogue with the landscape, a quasi-boulder-like look, hence defining itself as a camouflaged object through the process of realignment to its context. This allows the project to achieve ‘neighbourly’ compliance while being in contrast through appearance. The minimal material catalogue of exterior stone, concrete and light woods favours simplicity and permanence, a desired quality for the client.

    What do you see as the strengths of your winning project and what does this award mean to you personally?

    I believe the project is a culmination of pri

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  • Stories & News

    Archiving Women in Archaeology: Helen Thomas Waterhouse

    Personal papers of scholars associated with the British School at Athens represent an important part of the Archive. As well as expertise in individuals’ fields, such archives provide a glimpse into their working methods and are testimony to personal histories. When I arrived at the BSA from the MARM (Masters in Archive and Record Management) programme at the University of Liverpool for my cataloguing placement, I had limited knowledge of archaeology and had forgotten what little Greek I’d learned during my undergraduate years. I was, therefore, delighted to be presented with a personal archive of British archaeologist Helen Waterhouse rather than excavation records. There were other factors which appealed. I was intrigued to learn more about women in archaeology, which I presumed to be largely a male domain in the pre-Second World War period. For more practical reasons, I liked that the collection was relatively compact and would thus allow me to create a more detailed catalogue in the short time I had.

    Helen Thomas (centre), with British epigrapher J.M.R. Cormack (left) and American classical scholar Joe Fontenrose(right), enroute to Laurium, ca. 1935

    Helen (née Thomas) Waterhouse first arrived

    The Gondoliers

    Programme Note

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