Shelagh wakely biography of donald

  • Another Person's Garden III, 1 by Shelagh Wakely (1932–2011), 1975, from Norfolk Museums Service.
  • Shelagh Wakely has achieved a rare degree of identity be tween process and content without falling into the visual and formal aridity which so often marks such.
  • Donald Thomas Wakeley, 76, of Dixon, died Wednesday, June 15, 2011, at home with his wife and children by his side.

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    Specimen of 'Stereo one' or 'Stereo two' wallpaper; Screen print on paper.

    Within a pattern book containing 103 specimens (E.159-261-1977), including different colourways, each with artist's name, serial number etc in letterpress on the back; the sheets interleaved with photographs of contemporary interiors; bound in plastic-covered boards.

    Object details

    Categories
    Object type
    Titles
    • Palladio 9 (series title)
    • Stereo one (manufacturer's title)
    • Stereo two (manufacturer's title)
    Materials and techniques

    Screen print on paper

    Brief description

    Specimen of 'Stereo one' or 'Stereo two' wallpaper; Design by Shelagh Wakely; Screen print on paper; Within a pattern book containing 103 specimens (E.159-261-1977); Produced by Arthur Sanderson & Sons Ltd, Perivale; England; 1971.

    Physical description

    Specimen of 'Stereo one' or 'Stereo two' wallpaper; Screen print on paper.

    Within a pattern book containing 103 specimens (E.159-261-1977), including different colourways, each with artist's name, serial number etc in letterpress on the back; the sheets interleaved with photographs of contemporary interiors; bound in plastic-covered boards.

    Dimensions
    • Size of volume height: 50cm
    • Size of volume width: 50cm
    Dimensions fro

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    Donald T. Wakeley

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    The materiality of ceramic is celebrated in an all-female exhibition newly opened at London’s Richard Saltoun Gallery. ‘Born from Earth’ considers women’s role in uncovering the potential of ceramics through a kaleidoscope of multidisciplinary works, weaving traditional motifs with modern, and often playful, references.

    The bespoke exhibition design by architect Lisa Chan, founder of creative studio It’s a Local Collective and a tutor at the Architectural Association, draws links between the 11 exhibiting contemporary artists and the visceral pull of the earth that defines the disciplines of both art and architecture. Chan’s interactive display is encapsulated in an earthen landscape that traces a weaving route through the gallery. Crafted from natural earth and lime, it invites visitors to linger, setting the artwork into the undulations of its form.

    (Image credit: richardsaltoun.com)

    ‘There were a few challenges with the concept, in terms of the curation and coordination of where the eyes lead you,’ says Chan of the thinking behind the layout. ‘But in terms of the expression of the materiality, it was very smooth. We all share a love for earth and the rawness of it.’

    It is a love that connects t

  • shelagh wakely biography of donald