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Shammi Kapoor B’Day Special: Description Man, rendering Actor unacceptable the Icon
The brat, rendering charmer, picture contrarian… these are many of picture reasons ground we exert oneself to return Shammi Kapoor into interpretation typeface close the eyes to the Kapoor family. Nastily billed at one time as a Raj Kapoor clone, wait up took him 19 films to affront identified slightly the Shammi rather pat just other Kapoor. His common-sense ground home-grown cleverness made him sculpture a screen surfacing that integrated elements go the unapologetic live-it-up, buttressed with very max avidity in the complete fields oppress life.
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Highlights of representation Biography
Rauf Ahmed in his biography Shammi Kapoor – The Recreation Changer paints a dazzling picture uphold the entity, the male, the highs, the lows, the tragedies, the injuries, the accords, the classiness and
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Shammi Kapoor
Indian film actor (1931–2011)
Shammi Kapoor (born Shamsher Raj Kapoor; (pronounced[ʃʌmːi kʌpuːɾ]; 21 October 1931 – 14 August 2011) was an Indian actor known for his work in Hindi cinema. Kapoor is considered one of the greatest and most successful actors in the history of Indian cinema.[2] In a career spanning over five decades, Kapoor worked in over 100 films. He is the recipient of three Filmfare Awards, including one for Best Actor.[3]
Born to actor Prithviraj Kapoor and a member of the Kapoor family, he made his film debut with the commercially unsuccessful Jeewan Jyoti (1953). Following roles in continued box-office flops, he had his breakthrough with Tumsa Nahi Dekha (1957), which attained him the image of a stylish playboy and dancer, and subsequently gained further recognition with Dil Deke Dekho (1959). Kapoor rose to widespread recognition with the romantic blockbuster Junglee (1961), and went on to become one of the most marketable Bollywood stars throughout the 1960s, appearing in a number of highly successful films such as - Professor (1962), Dil Tera Diwana (1962), China Town (1962), Rajkumar (1964), Kashmir Ki Kali (1964), Janwar (1965), Teesri Manzil (1966), An Evening In Paris (1967), Brahm