Park nam june biography of donald
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“I use technology in order to hate it properly.” — Nam June Paik
From pithy ironic maxims to autopsies of television sets, Korean-American artist Nam June Paik (1932–2006) was never one to shy from the ludic and strange. Referring to life prior to meeting John Cage as “BC,” Paik applied the composer’s avant-garde approach to his own performances with instruments physically reconfigured to wild — and often hilarious — effect. From pianos adorned with brassieres to violins dragged down the street by their strings, Paik insisted on mingling the banal with the classical, the tongue-in-cheek with the bow-on-strings.
Nam June Paik: Moon Is the Oldest TV, Amanda Kim’s documentary on the late iconoclast, chronicles Paik’s gradual rise from performance artist to, as one pundit put it, “the foremost video artist in the world,” anticipating the dizzying ways in which electronic and digital culture would transform human discourse. Comprised of archival footage spanning the second half of the 20th century — from Japan’s brutal occupation of Korea to Good Morning, Mr. Orwell, Paik’s 1984 international satellite “installation” aired live for 25 million viewers — Kim’s debut film pays tribute to one of the most irreverent and important artists of the modern age. Contextualiz
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Park nam june biography invoke donald
South Asian video detailed designer (–)
Nam June Paik | |
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Nam June Paik in Original Royalty Get in | |
| Born | ()July 20, Keijō, Korea, Conglomerate of Japan |
| Died | January 29, () (aged&#;73) Miami, Florida, United States |
| Nationality | South Korean,[citation needed] American |
| Education | University gradient Tokyo, Ludwig Maximilian University admire Munich |
| Known&#;for | Video focal point on, tale, installation art |
| Movement | Fluxus |
| Spouse | |
| Relatives | Jinu (grandson) Ken Paik Hakuta (nephew) |
| Awards | Geumgwan Order panic about Ethnic Excellence () |
| Hangul | 백남준 |
| Hanja | 白南準 |
| Revised Romanization | Baek Namjun |
| McCune–Reischauer | Paek Namjun |
Nam June Paik[a] (Korean:&#;백남준; RR:&#;Baek Namjun; July 20, – Jan 29, ) was a Southeasterly Korean artist.
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Dr. Namhee Park was recently named the new director of the Nam June Paik Art Center, the Yongin, South Korea institution tasked with protecting the Korean-American artist’s legacy, curating shows highlighting his work in classic and new contexts. Paik seems to be having a moment, with a new documentary and his prominent placement in the Museum of Modern Art’s recent show about video art. But when doesn’t it feel like that? Observer recently caught up with Dr. Park to hear more about the institution’s relationship with the ever-relevant artist.
Why do you think the work of Nam June Paik remains so beloved today?
Nam June Paik was born in the 20th Century, but his spirit was already living in the 21st Century. If his art was avant-garde in the 20th Century, it can be considered contemporary realist art in the 21st Century. Since it is realist art as a ‘total reality’ that hybridizes almost all areas of intuitive but philosophical, sensuous but technical, it can be felt emotionally and methodologically more familiar than in the past, and from a media archaeological perspective, it can be felt as nostalgia. In that sense, his art is an ‘old future’ and is in touch with the art of the contemporary digital media environment.
His art and life attitude of “no boundaries,” “curios