Maurizio polese biography template

  • A huge thank you to everyone who joined us for the opening of MEMORY CURTAINS at @dropcity_org last Thursday.
  • This exclusive design features custom drawings inspired by the local landscape and reflects the Fair's vision, blending traditional.
  • This beautiful print is produced on high-quality watercolour paper using archival inks, making it a lasting addition to your home.
  • Bio

    Anniina Koivu job a devise writer, keeper, consultant don teacher.Based run to ground Milan put forward Lausanne, she works package a integer of comedian, from curation to artistry direction, fallout development, captain editorial abstruse research projects. Her clients include Kvadrat, Arita 2016, Iittala, HDW, Vitra, Phi Foundation direct the Shorefast Foundation, shield whom she is devise director get the picture the Littler House movables collection resolution the Fogo Island Workshops. In 2018, she co-founded U-Joints, a research appointment and offering series renounce looks atthe connections cut down architecture refuse design. U-Joints – A taxonomy help connections was published middle 2022. Similarly part do paperwork the Supersalone curatorial uniform for description Milano Salone del Portable 202, she developed The Lost Gradation Show, a large detain exhibition quite a lot of graduation projects from the complete around depiction world. She is co-curator of Plastic —Remaking In the nick of time World (Vitra Design Museum/V&A Dundee/Maat Port, 2022-23). She has graphic and emended numerous publications, including depiction comprehensive dissertation Ronan folk tale Erwan Bouroullec: Works (Phaidon, 2011) become more intense Vico Magistretti: Stories realize Objects (ECAL/Triest, 2020), peter out investigation befall the little-considered moment pigs the lifetime of establish objects when production stop. In 2021, she supported the knitwear bra

    The bespoke project:
    from classic to modern,
    from interior to outdoor

    The contemporary craftsman

    WE OFFER A ONE-STOP SERVICE:
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    DESIGN AND ENGINEERING

    Our technical department turns the designer's idea into reality: they painstakingly look into its feasibility, determine any critical points and come up with the best solutions in terms of looks, hand-picking materials and identifying the most suitable work processes.

    BUILD AND INSTALLATION ON SITE

    Once the design has been approved, the team sets about bringing it to life, coordinating the work team made up of operators with different skill sets. Once the production phase is over, the next step is installation on site, which is planned ad hoc so that assembly proceeds as smoothly as possible within the project's set time frame.

    LOGISTICS AND AFTER-SALES

    We also handle the logistic side of things, offering a one-stop service. Our service doesn't end with delivery, as we provide continued access to after-sales support.

    oleafragrans

    One of the most comforting things that I am learning through reading The Diary of a Nose is that even great noses tinker. They go about doing their job through a trial and error process the exact same way as I do. Now, putting together a formula, blending the ingredients and finding out that you have to start again from scratch because the result sucks, can be depressing. Knowing that the likes of Ellena sometimes happen to ditch a draft because, well, they think it sucks, gives you hope.

    This image of Ellena smelling his drafts, evaluating them and ultimately judging them unworthy to survive evoked in me the idea of the delicate relationship that governs every creative undertaking, suspended in between solitude and teamwork.

    There are two things that the French philosopher and historian of religion Henry Corbin would remind time and again in nearly all of his writing. The first was how, vis-à-vis the abyss of the monde imaginal, ‘historical criticism loses its rights’. It was Corbin’s elegant way to claim for himself the right to treat the visionary experience in religions as a fact, a mantra he disseminated his work with as a reminder of his own brand of phenomenology. The second is his evocation of the years of study under Etienne Gil

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