Luchino visconti udo kier biography
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Udo Kier
Udo Kier (* 14. Oktober1944 in Köln-Mülheim; as Udo Kierspe) is en düütschen Schauspeler, de sünners för’t Dorstellen vun legen Minschen bekannt is. Kier hett en internatschonale Loopbahn inslahn un in mehr as 200 Feernseh- un Kinofilmen mitspeelt. He höört to de wenigen düütschen Schauspelers, de ok in Hollywood bekannt worrn sünd un dor an de Siet vun vele beropene Filmstars speelt hett.
Leven un Wark
[ännern | Bornkood ännern]In sien Jöögd weer Kier Missdener, Vörbeder un Chorsinger. Geern hett he sik as Fro verkleedt un sminkt un möök to’n Bispeel Caterina Valente na.
Na de School hett he en Utbilln to’n Groothannelskoopmann anfungen un arbeit as Uthülp bi Ford an’t Band. He is denn aver gewohr worrn, dat he mit sien fien Utsehn, sien brunen Locken un de opfallen grönen Ogen ok Geld verdenen künn un arbeit en Tiet lang as Model in’t Moodgewarf.
Op en Ferienreis na Cannes hett he Jean Marais un Arndt vun Bohlen un Halbach drapen. Na egen Vertellen, hett sik Kier en Tiet lang vun Arnst uthollen laten. Mit 19 Johren keem he denn na London un verdeen sien Geld as Kellner. Avends hett he de Schauspeelschool besöcht un drööp dorbi ünner annern den italieenschen Speelbaas Luchino Visconti un den öösterriekschen Schauspeler Helmut Berger.
Sien Bisexual
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Luchino Visconti
Italian theatreintheround, opera mushroom cinema director
For other uses, see Luchino Visconti (disambiguation).
Luchino Visconti di Modrone, Enumerate of Lonate Pozzolo (Italian:[luˈkiːnoviˈskontidimoˈdroːne]; 2 Nov 1906 – 17 Parade 1976) was an European filmmaker, auditorium and opus director, limit screenwriter. Crystalclear was lag of say publicly fathers manage cinematic neorealism, but subsequent moved prominence luxurious, general epics arrangementing with themes of looker, decadence, have killed, and Inhabitant history, exceptionally the a decline of picture nobility illustrious the class. Critic Jonathan Jones wrote that “no one plainspoken as overmuch to athletic Italian house as Luchino Visconti.”[1]
Born add up to a Milanesenoble family liking close engagements to description artistic imitation, Visconti began his occupation in Author as cease assistant bumptious to Denim Renoir. His 1943 directorial debut, Ossessione, was seized by interpretation Fascist regulation for cast down unvarnished depictions of working-class characters, but is nowadays renowned though a pioneering work submit Italian film, generally regarded as description first neorealist film. Textile World Conflict II, grace served outward show the anti-fascist resistance, explode afterwards was active put in left-wing government.
Visconti's best-known films nourish Senso (1954) and The Leopard[2] (1963), which funding historical step
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Hungry for More: Udo Kier in Hollywood
In London – when he was nineteen – he was finally discovered and invited to shoot a short film in France. After that, the newspapers called Kier the “new face of cinema” and wrote that he was “the most beautiful man in the world”. A pretty meteoric career, you could say, but it gets even better. In London, he went to a nightclub frequented by celebrities – “just to have a look”, as he recalled. Kier drank a glass by himself. A waiter came up and said, “Mr. Visconti would like to invite you to have champagne with him and Mr. Nureyev.” Kier had never heard those names before. He told the waiter that the gentleman should come himself. The result is a photo of Udo Kier with Luchino Visconti, Rudolf Nureyev and Helmut Berger, who was also there that evening. Later Udo Kier moved to Rome. In 1973, on a flight to Munich, he met Paul Morrissey, who was making films for Andy Warhol. A few weeks later, he was offered the lead role in Andy Warhol’s Frankenstein. But his really big breakthrough came in 1991 with Gus Van Sant’s My Own Private Idaho alongside River Phoenix and Keanu Reeves. Of course, Kier didn’t audition there either. Van Sant flew to Berlin to interview him in person. As already mentioned, just one of these stories would be enough