Le repas chez levi paolo veronese biography
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The Feast in the House of Simon the Pharisee (Veronese, Milan)
Painting by Paolo Veronese
The Feast in the House of Simon the Pharisee | |
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Artist | Paolo Veronese |
Year | 1570 |
Medium | oil on canvas |
Dimensions | 275 cm × 710 cm (108 in × 280 in) |
Location | Pinacoteca di Brera, Milan |
The Feast in the House of Simon the Pharisee is an oil-on-canvas painting by Paolo Veronese, completed in 1570 for San Sebastiano, a Hieronymite monastery in Venice. He also produced a cycle of works for the monastery church (still in place), where he was later buried.[1] After the French occupation of Venice in the late 18th century, the monastery was suppressed and its art confiscated. In 1817, after the fall of Napoleon, Feast was assigned to the Pinacoteca di Brera in Milan, where it still hangs.
History and description
[edit]From Veronese's mature phase, it was one of a series of monumental "Feasts" for monastery refectories of monasteries in Venice – The Wedding at Cana for San Giorgio Maggiore (now in the Louvre) and another The Feast in the House of Simon the Pharisee for Santi Nazaro e Celso (now in Turin) were earlier works in the series.[2]The Feast in the House of Levi (Gallerie dell'Accad
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Feast in the House of Levi (Last Supper)
Paolo Veronese
Feast in the House of Levi (Last Supper)
Paolo Veronese
The Feast in the House of Levi or Christ in the House of Levi is a 1573 painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring 555 cm × 1,280 cm (18.21 ft × 41.99 ft). It is now in the Gallerie dell'Accademia in Venice. It was painted by Veronese for the rear wall of the refectory of the Basilica di Santi Giovanni e Paolo, a Dominican friary, as a Last Supper, to replace an earlier work by Titian destroyed in the fire of 1571.
However, the painting led to an investigation by the Roman Catholic Inquisition. Veronese was called to answer for irreverence and indecorum, and the serious offence of heresy was mentioned. He was asked to explain why the painting contained "buffoons, drunken Germans, dwarfs and other such scurrilities" as well as extravagant costumes and settings, in what is indeed a fantasy version of a Venetian patrician feast. Veronese was told that he must change his painting within a three-month period; instead, he simply changed the title to The Feast in the House of Levi, still an episode from the Gospels, but less doctrinally central, and
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File:Convito in casa di Levi Veronese Accademia Cat203 n01.jpg
- A. D. MDLXXIII
(Reusing this file)
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