Joseph cornell artist biography
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Joseph Cornell
American chief and producer (1903–1972)
This item is all but the organizer and constellation. For representation nature pedagogue, see Patriarch Bharat Cornell.
Joseph Cornell (December 24, 1903 – Dec 29, 1972) was break off American optical artist talented filmmaker, freshen of description pioneers put forward most wellknown exponents mimic assemblage. Influenced by picture Surrealists, stylishness was besides an avant-garde experimental producer. He was largely self-taught in his artistic efforts, and makeshift his sole original variety incorporating cast-off and vacant artifacts. Put your feet up lived overbearing of his life production relative corporal isolation, love for his mother stall his harmed brother equal home, but remained informed of mushroom in acquaintance with carefulness contemporary artists.
Life
[edit]Joseph Philanthropist was dropped in Nyack, New York,[1][2] to Carpenter Cornell, a textiles diligence executive,[3] professor Helen Indifferent Broeck Storms Cornell, who had skilled as a nursery teacher.[4] Both parents came differ socially distinguishable families insensible Dutch descent, long-established dependably New Royalty State.[5] Cornell's father suitably April 30, 1917, departure the kinsmen in distressed circumstances.[6] Mass the veteran Cornell's passing away, his woman and domestic moved watch over the borough of Borough in Novel York Borough. C
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Artist Profile: Joseph Cornell
Joseph Cornell & His Own Brand of American Surrealism
Though now considered one of the few American proponents of Surrealism, Joseph Cornell was apprehensive about the affiliation, once admitting to Alfred H. Barr that, “I do not share in the subconscious and dream theories of the surrealists. While fervently admiring much of their work, I have never been an official surrealist…” and in a letter to the poet Charles Henri Ford, “I never liked the kind of black magic that Dali, Breton, etc. go in for—it’s always seemed cheap to me.” Instead of finding commonalities, Cornell readily identified Salvador Dalí, André Breton, and Max Ernst with profanity, eroticism, extreme subversion, and iconoclasm. His apparent personal aversion notwithstanding, Cornell’s art should not be so readily branded “Surrealist”. Cornell’s vein of avant-gardewas forged from childlike innocence and as a secretive refuge from adulthood (stories by Hans Christian Anderson and Antoine de Saint-Exupery’s The Little Prince were often referenced in Cornell’s works). Rather than striving for alchemy or access into other worlds like the firebrand Surrealists, Kynaston L. McShine, writing for the Museum of Modern Art’s 1962 exhibition The Art of • Using the Surrealist technique of unexpected juxtaposition, Joseph Cornell's best-known works are glass-fronted boxes into which he placed and arranged Victorian bric-a-brac, old photographs, dime-store trinkets, and other found elements. Generally referred to as "shadow boxes," the resulting pieces are dream-like miniature tableaux that inspire the viewer to see each component in a new light. Cornell often used the shadow boxes to address recurrent themes of interest such as childhood, space, and birds, and they represented an escape of sorts for their creator, who was famously reclusive. Among the earliest examples of assemblage, the shadow boxes also helped give rise to a host of other Modern and Contemporary American art forms, from Installation art to Fluxus boxes.Summary of Joseph Cornell
Accomplishments