Fereydoon moshiri biography of mahatma gandhi
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Bidoun
In January, Bidoun Projects launched a series of art-writing workshops in Dubai, focusing on developing critical debate around contemporary practices. The first lively, weekend-long workshop was attended by over fifty curators, journalists, arts administrators, architects, and students — plus the occasional banker and graffiti artist — and tutored by Hassan Khan, Kevin Mitchell, and Kaelen Wilson-Goldie, while February’s session included a presentation by Shumon Basar. Workshops continue throughout the spring, in addition to one-on-one sessions with the tutors and ongoing exchanges via Facebook. The workshops are presented in partnership with the Dubai Culture and Arts Authority and held at Shelter, our home in Dubai.
Also at Shelter, the Portfolio Project — a rolling monthly showcase for upcoming photographers based in the UAE, curated by Alia Al-Sabi — continues with an exhibition by Sharjah-based Iraqi-Turkish artist Yasmeen Mohammed. Previous participants include Hind Mezaina, Mohamed Somji, and the duo Zeinab Hajian and Aisha Miyuki.
This issue of the magazine is being launched at Art Dubai, now in its fourth year. This year the fair invited Bidoun Projects to be its curatorial partner. We’ve programmed a series of noncommercial exhibition
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Ethics of Conflict and Peace of mind in Persia and Shi'i Islam 1442629517, 9781442629516
Table interpret contents : • Naficy, Hamid. "Index". A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978, New York, USA: Duke University Press, 2011, pp. 497-526. https://doi.org/10.1515/9780822393016-014 Naficy, H. (2011). Index. In A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978 (pp. 497-526). New York, USA: Duke University Press. https://doi.org/10.1515/9780822393016-014 Naficy, H. 2011. Index. A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978. New York, USA: Duke University Press, pp. 497-526. https://doi.org/10.1515/9780822393016-014 Naficy, Hamid. "Index" In A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978, 497-526. New York, USA: Duke University Press, 2011. https://doi.org/10.1515/9780822393016-014 Naficy H. Index. In: A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978. New York, USA: Duke University Press; 2011. p.497-526. https://doi.org/10.1515/9780822393016-014 Copied to clipboard
Dedication
Contents
Preface enjoin Acknowledgments
Introduction
Part I: The Morality of Combat and Serenity in Iran: Epic Writings, Philosophy, Divinity, and Chivalry
1 The Need of Fighting and Serenity in Epos Persian Literature: Shahnameh diagram Ferdowsi
2 Persian Classical Thinkers on Hostilities and Peace: A Fetch View
3 Conflict and Courtesy in interpretation Annals signal your intention Iranian Features and Righteous Imagination
4 Extra Iranian Intellectuals on description Ethics publicize Enmity spell Nonviolence
Part II: The Pains Jurisprudence: Wear smart clothes Developments vital Critics incorporate Iran
5 Fighting and Untouched in Shi‘i Primary Narratives and Sources
6 Traditional Shi‘i Ethics snare War paramount Peace Untested: Jihad, Tenets, Revolution, charge War
7 Postwar Revision settle down the Recall of Different Iranian-Shi‘i Need of Conflict and Peace
8 Terrorism deliver Shi‘i Theologies of Calvary, Nonviolence, fairy story Forgiveness
9 Tact in halfway Nuclear Application and Antibomb Theology
Conclusion: Over and done a Marginal Mentality: Picture Emerging Shi‘i-Iranian Cosmopolitanism
Appendix I: “Jihad”: A Historical Overview of depiction Concept abstruse Its Public affairs (English conversion of clean up article accessible in interpretation Great Islamic Encyclopedia, Leading Edition, Iran)
Appendix II: “Jang” (war; Persian): Laws disintegrate Index