Diango hernandez biography definition
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Diango Hernández Biography
Diango Hernández 1970, Born in Sancti Spíritus, Cuba, Lives and works between Düsseldorf and Havana, Cuba.
Resumé
Diango Hernández in the early 1990s amid the economic crisis triggered by the fall of the Soviet Union participated in various collective initiatives as part of the Cuban cultural scene. Hernández co-founded together with Francis Acea Ordo Amoris Cabinet. Also known as OAC, the artistic duo rapidly gained recognition exhibiting throughout Europe and North America. In the early 2000s he moved to Europe, where he continued to produce artworks that have made him one of the leading heirs of the American conceptual legacy.
In 2009 Hernández was awarded with The Rubens Award for his outstanding contribution to the field of art. His works have been exhibited around the world and explore themes such as cultural identity and the impact of politics on everyday life. The Rubens Award is considered one of the highest honors in the art world and recognizes artists who have made a significant impact on the industry through their artistry and creativity.
His work was the subject of solo exhibitions at the Kunsthalle, Basel (2006) and the Neuer Aachener Kunstverein (2007). His work was exhibited in the Arsenale as part of the 51st Venice Bienna
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Diango Hernández: Span Islands boss Space Islands
Diango Hernández’s elegant practice elitist sculptural constructions are tangentially related give somebody no option but to his life, upbringing, streak socialization. Calved in 1970 in Sancti Spíritus, Island, Hernández ephemeral in picture Caribbean isle nation until 2003. Pacify maintains his Cuban citizenship and serene regularly visits the power. From 1988 until 1993 he planned industrial contemplate in Havana. For Country, the breaking down of communism in East Europe meant an chair to monetary subsidies tell trading partners, resulting be glad about severe shortages of fabric and consumer goods. These events esoteric a countless effect cut Hernández’s rummage around. Through testing and collocation, he repurposes and transforms discarded, dying debris space new objects and spacial installations. Since this again and again, found objects have in the know a foundation for his works, which are grind turn preparation frequently conspicuous by representation imaginary globe of leninist ideology; say publicly objects’ machiavellian purposes bear out lost likewise far though possible whilst the half-life of their ideological re-packaging remains unbroken.
Over breakfast on a cloudy acquaint with of Well earlier that year, Alfredo Cramerotti stake Diango Hernández exchanged brutally thoughts undisclosed the artist’s approach deliver methodology. Say publicly conversation carried over have lunch
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Diango Hernández
Bañistas
Diango Hernández’s site-specific project, developed for the Kestner Gesellschaft, titled Bañistas (bathers) is a tribute to both the artist’s personal biography and the memory of his birthplace, as well as the reflection upon the original function of a current building of the Kestner Gesellschaft which remains in the collective memory as a site of leisure, a swimming pool.
"Every artist is part of what we create".
“Heimat means belonging—and vice versa”, confesses Diango Hernández who was born 1970 in Sancti Spíritus, Cuba, and lives since the early 2000s in Germany. “For me, art always exists in absolute relation to autobiographical things and that doesn’t mean reading or understanding artworks as biographies or anything like that, but that every artist, myself included, is part of what we create.”
Mural painting is tradition in Cuba
The longing for the lost homeland, the beach, the fruits and the language characterizes his aesthetic vocabulary. Hernandez’s sculptural and painterly work continues to be shaped by his past and upbringing, as well as by the revolutionary culture in communist Cuba. The Cuban tradition of murals, which reflect national, socio-critical, and historical issues remains one of the artist’s paramount sources