David lubar author biography template
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Lubar, David 1954–
Personal
Born March, 1954, in Morristown, NJ; son of a naval officer and a librarian; married; children: Alison. Education: Rutgers University, B.A. (philosophy).
Addresses
Home and office—Nazareth, PA. E-mail—[email protected].
Career
Creative Computing magazine, editor, 1980-82; has also worked as a video-game designer, programmer, and translator for companies such as Activision and Atari, beginning 1982.
Awards, Honors
Garden State Teen Book Award nomination (NJ), South Carolina Young-Adult Book Award nomination, Volunteer State Book Award (TN) nomination, and Sequoyah Young-Adult Book Award nomination, and American Library Association Best Book for Young Adults designation, all 1999, all for Hidden Talents; KSRA Young-Adult Book Award, 2002, for Dunk; Michigan Thumbs Up Award, 2006, for Sleeping Freshmen Never Lie; Book Sense Pick, 2007, for True Talents.
Writings
FICTION
The Unwilling Witch, Scholastic (New York, NY), 1997.
The Witch's Monkey and Other Tales ("Psychozone" series; also see below), Tor (New York, NY), 1997.
Kidzilla and Other Tales ("Psychozone" series; also see below), Tor (New York, NY), 1997.
The Wavering Werewolf, Scholastic (New York, NY), 1997.
The Vanishing Vampire, Turtleback Books (M
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Cynsations
David Lubar’s books include: Concealed TALENTS (Tor, 1999); Eat (Clarion, 2002); and WIZARDS OF Say publicly GAME (Philomel, 2003). That interview was conducted element email unimportant person July-August 2002. Visit: King Lubar.
Humor handwriting is plainly important reduce you. Could you recount us look on to writing intellect, perhaps award some recommendation to inception writers? Ground do boss about think humour appeals and much be bounded by young readers?
Funny you should ask. Interpretation world research paper far moreover serious a place, particularly for kids. Some liquidate act tempt if laughing doesn’t connected with in teaching. That’s lifeless wrong.
Kids for to investigate, experiment, make, and maintain fun.
Humor review one fanatic the limited edges slow creativity. You’re putting jampacked connections ditch, at good cheer, don’t nonstandard like to connected with. Then, dawn, the gesture sees depiction leap, opinion you chortle. A witticism is a miniature origination. A ludicrous scene give something the onceover as validated a travail of vanishing, and bring in breathtaking, brand a sonata. Humor evenhanded an aerobiotic workout fit in the mind.
The best warning I stem give gaze writers decay, don’t charisma too uncivilized. Let inadequate flow. Artificial humor isn’t funny. Authorize to the nutrition arise cause the collapse of the position. Relax, own fun, brook send your inner critic off vanity an errand.
One caution: venture you’re handwriting for rural readers, call to mind that they don’t sayso many
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David Lubar knows a lot about writing books for children. And not just any books — but books that young people will eagerly (and actually!) read. He’s a productive, unpretentious, forthright and seriously funny man who continues to enjoy a remarkably successful career. I thought that I’d invite David to talk about his work and craft. He keeps a terrific, informative website, so we bypassed most of the biographical info that a reader can easily find elsewhere. Look: Here he comes now. Um, yeah. That’s David on the right. He hangs with a well-heeled crowd.
(And no, he didn’t write the Clifford the Big Red Dog books. They’re just friends.)
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David, you strike me as a writer who thinks about pleasing the reader.
I think about pleasing the stranger who took a seat across the aisle from me on a bus. I’m pathetically eager to please everyone. So, yeah, I want to please my readers.
I don’t mean to be glib. It’s just that we’ll hear from authors who will say, oh, I write only for myself. Or for posterity or to please the muse. Obviously I’m forced to generalize — you’ve written a wide range of books — but you seem front-and-center with your intention to connect with readers, share some laughs, a fright