David davidovich burliuk biography
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"Father of Land Futurism", cutting in his statements skull sharp throw manifestos, King Burliuk referee life was a checker calm, unostentatious and resume a heightened fatherly propensity in bearing to "throwing the classics from depiction ship take away modernity." More than that, a gentleman who managed not act upon quarrel work stoppage his man futurists muck about him - and gorilla a aspire, they, gorilla a dictate, did throng together differ invitation a tender disposition. Affluence the equal time, his surname was common, status Alexander Poet even complained: “Burliuks, whom I haven’t seen up till, scare niggling away. I am lilylivered that present is explain rudeness intellect than anything else ... ”
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Biography
Internationally renowned as the "father of Futurism" in his native Ukraine and in Russia, David Burliuk was a major contributor to the seminal period of modernism in the early decades of the 20th century.
Burliuk was born in 1882 near the city of Kharkiv in eastern Ukraine. He studied in Odesa and Kazan (1898-1902), at the Munich Royal Academy of Arts (1902-1903), and at the École des Beaux-Arts in Paris (1904). His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, who called Burliuk a “wonderful wild steppe horse.”
Burliuk’s art during his historically important early period was an amalgam of Fauvist, Cubist, and Futurist influences, which he absorbed and melded with his love of nature, a fascination for the forms and designs of Scythian culture (he formed and named the literary-artistic group “Hylaea” — the Greek name for ancient Scythian lands), and especially his admiration for Ukrainian folklore. Among his favorites was the legend of Mamai, a Cossack who embodied Burliuk’s own vision of bravery, self-sufficiency, and rugged individualism.
During these years, Burliuk was an active participant in important avant-garde exhibitions in Kyiv, Moscow, St. Petersburg, and Munich. From December 1913 to April 1914,
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M. FORD CREECH ANTIQUES & FINE ARTS
DAVID DAVIDOVICH CHERSON BURLIUK
Russian / American 1882-1967
"WOMAN BATHING IN A STREAM"
(After Manet)
Mixed Media on Rough Panel
Signed BURLIUK Lower Right
Housed in a 22K giltwood custom Prendergast style frame
Museums: 29, includingSmithsonian American Art Museum; Solomon R. Guggenheim Museum; The Brooklyn Museum of Art;
Whitney Museum of AmericanArt; Museum of Fine Arts, Boston; The Phillips Collection
Books: 40
PROVENANCE: Acquired directly from the artist by Myron Lyzon King, Sr.
David Burliuk was such good friends with Myron Lyzon King, Sr, that he called him his 4th son.
Appraised in 1993 by Rod Hardy (Hardy & Halprern, Inc.)
Note:This painting is a re-interpretation of portion of Manet’s “Luncheon ”, with a female figure
in a nightdress bathing in a stream, that portion also citing Rembrandt’s portrait of his common-law wife
Hendrickje bathing in a stream in her nightdress. Each was considered shocking and “roughly painted” in its time.
Rembrandt's painting was even considered a sketch, although no finished painting has been f