Comfort annor biography of donald
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Annor Waters (Beck) was the lady-wife of Osaze Waters and the mistress of Joshmir Gardener, Lord Protector of the Grasslands. Annor's life was a series of dramatic events, starting with her marriage to Lord Osaze in 323 SM at eight while he was over fifty. He consummated the marriage against the advice of the Citadel, who warned of pregnancy at Annor's young age. She gave birth to her only child with Lord Osaze, Naheem, in 325. Osaze continued impregnating her, causing her hatred for her husband to grow, so she ended each pregnancy. In 328, she traveled with her husband to Griffon's Den, where she met and fell in love with Joshmir Gardener. While in the capital, Lord Osaze fell ill, forcing him and Annor to stay longer than expected. From then on, Annor and Joshmir begin an affair, a dramatic turn in her life.
In 331 SM, Annor gave birth to Rakiyu and attempted to play it off as Osaze's child, although the Lord of Wilderton had been unconscious for over a year. When Elphabe Osmont arrived in Griffon's Den in 340, Annor became highly jealous, ensuring the young girl knew Joshmir was her's. This angered Harith Gardener, who banished Annor from the Lion's Den Castle in 341. After the birth of his twins and signing the Immigration Law, Joshmir finds comfort in Annor again, and s
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Cornelius Annor Ghana, b. 1990
The idea of my work is to flatten time, space, and location. I don't want to only depict images of my family, I want to also depict that of other families. I want everyone to see their family in my work.
Cornelius Annor is a figurative painter depicting everyday life, often departing from childhood memories and family history.
Because most of the positive images of black people focuses on the African-American story, I would like what I am creating right now to depict positive imagery of Africa and Ghana. I want people to change their view about our beautiful continent.
Incorporating objects and clothes from different periods of time, Cornelius Annor (b. 1990) plays with history and temporality in his compositions. His paintings can be seen as a hypothetical writing of history, merging elements from both his family and friends’ archive, from the past and present. While some of the photographic source materials were taken during family events, others refer to the West-African tradition of taking seated portraits at a photo studio. The studio setting in this context was created to evoke a certain middle-class status, reminiscent of photographs by renowned Nigerian photographer Samuel Fosso and the Malian photographer Malick
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Biography
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