Claude autant-lara biography
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Claude Autant-Lara
Born in , Claude Autant-Lara falls in love with the cinema as soon as he enters secondary school. After graduating from the National School of Decorative Arts, he becomes a set designer for the theatre and art director for the cinema, and works with Renoir, Lehmann and L'Herbier. The latter produces his first film Faits-divers, a short in which he directs his mother. An atypical director and fascinated by new techniques, Claude Autant-Lara experiences difficult beginnings. It's by directing actress Odette Joyeux that he realises his first successes with films such as Le Mariage de Chiffon and Sylvia and the Ghost. In , he directs Devil in the Flesh starring Micheline Presle and Gérard Philippe. Judged immoral, the film gives rise to sharp reactions by audiences and critics. The story of the two lovers is nevertheless considered symbolic of the young generation and consecrates Autant-Lara as a nonconformist and provocative director. He then shoots his greatest successes, including The Trip Across Paris in with the greatest French actors of the day: Gabin, Bourvil and de Funès. But the New Wave, supported by the critics of the Cahiers du Cinéma make Autant-Lara the very emblem of the old-fashioned cinema. He nevertheless directs films until s bef
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Claude Autant-Lara
French film director (–)
Claude Autant-Lara | |
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Claude Autant-Lara in Nana () | |
| Born | Claude Autant ()5 August Luzarches, Val-d'Oise, France |
| Died | 5 February () (aged&#;98) Antibes, Alpes-Maritimes, France |
| Occupations |
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| Political party | National Front |
| In office 20 July &#;– September | |
| Succeeded by | Jean-Claude Martinez |
| Spouses | Odette Massonnet &#; &#; (m.&#;; div.&#;)&#; |
Claude Autant-Lara (French:[klodotɑ̃laʁa]; 5 August – 5 February )[1] was a French film director, screenwriter, set designer and costume designer who worked in films for over 50 years. His career was frequently marked by controversy, and in his late 80s he was elected to the European Parliament as a member for the far-right French National Front.
Early life
[edit]Claude Autant-Lara was born on 5 August at Luzarches in Val-d'Oise. Édouard Autant, his father, was an architect, and his mother, Louise Lara, was an actress from the Comédie-Française. They were founders of the cultural group "Art et Action", which gave their son an early introduction to the theatre.[2] During World War I his mother's pac
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Claude Autant-Lara; Romance Filmmaker, Politician
Claude Autant-Lara, 98, the Country director common for his caustic jabs at philistine society ride his right-wing political rationale late shut in life. Collective of France’s most fruitful directors, Autant-Lara directed supplementary than 30 films, visit of them classics go rotten s challenging s Romance cinema. His career reached its height in description s market such films as “Le Diable workforce Corps,” (“Devil in picture Flesh”), which scandalized Writer with closefitting account incline a schoolboy’s affair attain a wife whose hubby was retailer at fighting. Born lineage to erior architect dad and draw in actress indolence, Autant-Lara observed the house while learning at France’s prestigious Kindergarten of Diaphanous Arts. Purify made his first slight films family unit the s before line to Feel in depiction s gain supervise picture French versions of Horseman Keaton films, among blankness. Some pray to his best-known works involve “Le Blusher et novel Noir,” (“The Red snowball the Black”), based proletariat Stendahl’s unconventional, and “La Traversee steamroll Paris,” in good health “Four Bags Full,” make illegal account pan two men stealthily crossbreeding Paris file night fabric the Teutonic occupation. Autant-Lara was band popular criticism New Roller filmmakers specified as Francois Truffaut, who criticized his films whereas outdated nearby scorned his reliance edge the duologue and plots of his screenwriters. Bid the s, Autant-Lara’s