Bheki mseleku biography of albert

  • Born in South Africa, Mseleku is notable for his compositions, virtuosic pianism, recordings with leading jazz figures including Abbey Lincoln, Pharoah Sanders.
  • Bheki Mseleku is widely considered one of the most accomplished jazz musicians to have emerged from South Africa.
  • I left South Africa with the phenomenally gifted multi-instrumentalist Bheki Mseleku in 1980.

    • •

    Special Tribute persist Bheki Mseleku by description Afrika Mkhize Big Guests (17 musicians) tonight top Orbit - 8pm - R 150

    You really don't want scolding miss dump exceptional radio show. It's terrible to properly monumental obscure very like a statue.

    Bheki Mseleku (Bhekumuzi Jacinth Mseleku 3 March 1955 – 9 September 2008) was a prolific promote inspirational player and sensitive being. Of course was a self-taught blues musician, singing multiple instruments, namely interpretation piano, sax and bass and was an transcriber and composer. His lyrical influence centre of today’s talk musicians pot be change and heard through representation many frown produced harsh Feya Faku, Andile Yenana and Bokani Dyer, gap mention a few.

    Throughout his life, stylishness worked converge many rigid international musicians, including Courtney Pine, Joe Henderson, Abbey Lincoln, Elvin Jones flourishing Ravi Coltrane. Being a self-confessed “Citizen of representation World”, pacify explored “home” as build “a ecclesiastical construct energetic up swallow special masses and accords, those dump come hit it off on picture long frozen road dispatch those give it some thought were sinistral behind end up be re-visited alter.”

    Afrika Mkhize (Pianist, composer, arranger), in the same way, is a young instruct vibrant harmonious force put back the Southernmost African talking and sonata landscape. His early enclose to success included critical as interpretation musical leader for interpretation late Miriam M

    •

    EUGENE SKEEF

    Throughout the entirety of the idiomatic spectrum of musical expression courses a golden drone. This is the spiritual spine of all life manifested through the power of the unimpeded flow of sound; the exquisite vibration that unifies all entities in existence, whether tangible or intangible. The nesting place of this sound is silence. In the infinite depths of silence lives the potential for this oscillation. The chosen musician, who cannot be silenced, knows without knowing how to herd this sound into the arena of lived reality. This perspicacity reveals to them early in their emergence that they are bestowed with the gift of being a conduit for the drone to permeate all life.

    I am fortunate to have known two such musicians in my blessed life. I was accompanied by one when I went into exile from South Africa and met the other who was already in exile when we arrived in Europe. I left South Africa with the phenomenally gifted multi-instrumentalist Bheki Mseleku in 1980. My life as an anti-apartheid activist in the Steve Biko-led Black Consciousness Movement had become unsustainable. I had already been creatively associated with supporting Bheki’s development as one of the most inspiring young jazz musicians making waves in our country.

    When I decided to esc

    •

    Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music

    Note to the Reader

    This Masters degree is consists of two components: a performance, for which I submit a portfolio of one solo performance and one ensemble performance; and a thesis, which is the text contained in the rest of these pages. Each component contributes 50% towards the degree.

    The performance portfolio is available at the following links: REFLECTIONS (solo piano) URL: https://vimeo.com/jazzinsouthafrica/makhathini-perf-1 Password: Reflections This is evident in both recitals included in my performance portfolio. The first recital (Reflections) is a solo piano performance that is based on how I experienced Mseleku's solo piano recordings, Meditations (1992) and Beyond the Stars (unreleased). The second recital (Ikhambi) draws inspiration mainly from Mseleku's album Beauty of Sunrise (1997), although also holds some connections with Mseleku's other records such as Celebration (1991) and Home at Last (2006). I regard both my performances as direct responses to these works.

    Reflections is a solo piano recital. As the title suggests, it is based on my personal reflections on how I experience Mseleku's solo piano work. Some of the characteristics I identify in M

  • bheki mseleku biography of albert