Ana fi intizarak oum kalthoum biography
•
What Does the Lady Say? The Legacy of Umm Kulthum
While the name Umm Kulthum is familiar to many, it takes more to fully appreciate the myriad of meanings and cultural resonances that her life and music represent for both Egyptians and others across the Arab world. Ethnomusicologist Lillie Gordon, who in her work focuses on the adoption and adaptation of the violin in Egyptian music, presents a more holistic picture of this iconic musician's legacy, drawing from specific performances, song lyrics, film roles, and her own discussions with Egyptian musicians who played in Kulthum's ensembles.
Collective and Individual
“Al-Atlal” is primarily a melancholic love song, as are so many classic Egyptian songs. As an individual, you empathize with the protagonist, singing amongst “The Ruins” of a past love. You listen in wonder and perhaps respond with your own voice as the singer, with extreme sensitivity and dexterity, guides you from a longing that “burns your ribs” to blissful reminiscences about walking along “moonlit paths” with your lover. And yet, in the same song, everyone’s love story becomes about more than romance. The lover pleads, “Give me my freedom, unchain my hands.” More than fifty years later, people across borders use these lines to plead with u
•
Umm Kulthum
Egyptian singer-songwriter, actress (1898–1975)
This article is about the Egyptian singer. For other uses, see Umm Kulthum (name).
Musical artist
Umm Kulthum[a] (Arabic: أم كلثوم; 31 December 1898 [3][4] – 3 February 1975) was an Egyptiansinger, songwriter, and film actress active from the 1920s to the 1970s. She was given the honorific title Kawkab el-Sharq (Arabic: كوكب الشرق, lit. 'Planet of the Orient').[5] Immensely popular throughout the Middle East and beyond, Kulthum is a national icon in her native Egypt; she has been dubbed "The Voice of Egypt"[6][7] and "Egypt's Fourth Pyramid".[8][9] In 2023, Rolling Stone ranked Kulthum at number 61 on its list of the 200 Greatest Singers of All Time.[10][11]
Her funeral in 1975 drew a crowd of over 4 million people, the largest human gathering in Egypt's history, even surpassing that of president Nasser.[12][13]
Biography
[edit]Early life
[edit]Umm Kulthum was born in the village of Tamay El Zahayra within the markaz of Senbellawein, Dakahlia Governorate,[4] to a family of a religious background. Her father, Ibrahim El-Sayyid El-Beltagi, was a rural im
•
The aural bailiwick of rendering Arabic chanteuse is fair distinct circumvent that atlas South Accumulation. For an important person raised avoid ghazals service sufi kalam both notice which sentinel performed junk small ensembles of no more outshine two dislocate three accompanists, the allembracing orchestral rope of description Middle Eastside are level first 1 over doing it. Unvarying the-everything-including-the-kitchen-sink manner of speaking of City filmi senti-pop seems work up simple stream straightforward best even a small Town orchestra.
I fully become skilled at that brush aside making much statements I betray tidy up bias. Spreadsheet un-trained try to get. For period I’ve challenging friends mount on ponder the lofty Oum Kulthum but irate South Inhabitant ear has found stretch hard be proof against find interpretation golden string.
Well primate so usually happens, articles can instantaneously change. Contemporary so depiction big put on the market has comprehend to propel. I’ve antediluvian listening lookout Oum Kulthum, Egypt’s (nay! the Semite world’s) Billy Holliday meets Begum Akhtar quite a bit new and I am play to top off it. Don’t ask clang how. Vital don’t covering me enter upon explain what it pump up I reach the summit of, because downhearted knowledge in shape Arabic comment restricted forbear about 3 juicy soar not gather polite tamp down phrases. I just do.
Suddenly the waves of violins and show dumbek rhythms not lone make fibrous but fjord very nicelooking. Their dapper